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Treedis Announces Participation in the Q3 Virtual Investor Summit
Breaking New Experiential Frontiers With Our New Pro3 Camera and Cloud Platform
We don’t view digital twins, we explore through them. They unlock a world of curiosity, letting people step into far away places as if they were there in person. With detail unmatched by photos or videos, twins capture the nuances that compose the essence of a space. We can sit at Mark Twain’s dining table or spelunk the Lake Shasta Caverns. We can learn and dream and imagine alone or with others. Everything in a digital twin is real and full of new discoveries.
That’s the theme of a new exhibition, Private Collection/Closed for Installation, by hyperrealist artist Robin Eley and Emmy Award winning creative director David Korins. After four years in the making, Robin and David have created the fictional world of the New or Traditional Art Museum (NOTaMUSEUM), an immersive experience featuring 19 of the greatest works of art that are hidden from the public - either lost, stolen or held in private collections. The exhibition examines issues of access, privilege, and the subversion of the artists’ original intentions behind their creations.
We don’t view digital twins, we explore through them. They unlock a world of curiosity, letting people step into far away places as if they were there in person. With detail unmatched by photos or videos, twins capture the nuances that compose the essence of a space. We can sit at Mark Twain’s dining table or spelunk the Lake Shasta Caverns. We can learn and dream and imagine alone or with others. Everything in a digital twin is real and full of new discoveries.
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That’s the theme of a new exhibition, Private Collection/Closed for Installation, by hyperrealist artist Robin Eley and Emmy Award winning creative director David Korins. After four years in the making, Robin and David have created the fictional world of the New or Traditional Art Museum (NOTaMUSEUM), an immersive experience featuring 19 of the greatest works of art that are hidden from the public - either lost, stolen or held in private collections. The exhibition examines issues of access, privilege, and the subversion of the artists’ original intentions behind their creations.
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